Theresa Slater

In life and work, I have always chosen philosophy and art. I started with art school, building competencies in a variety of materials (mixed media, printmaking, installation, and small object design). Then, I studied applied ethics and analytical philosophy at the University of Victoria, while maintaining a prolific painting practice and exhibition schedule. I became interested in technology and new media art work through my administrative employment at an engineering firm, and decided to pursue an MA in Contemporary Art, Design, and New Media Art Histories at OCAD University. My thesis explored the sensual alterity of digital objects; yes, it’s impenetrable but an original feminist contribution to digital bodies nonetheless. Currently, I am driven to articulate the symbols of humanity and technology as coalescent within abundant nature. Simply, I paint figures in landscapes. I aim to demonstrate human’s capacity for mimesis, confluence, intersectionality, and mutation. My educational trajectory has been useful in reconciling the politics of aestheticism, the frailties of representation, and the rejection of objectivity (all important fodder for contemporary art practice). My internal motivation is simple; I paint because it provides sensual and intellectual pleasure. The artworks I develop are intended to be material demonstrations that allow audiences to envision a desirable and democratic future where society and technology are closely entwined to liberate all people; in a manner that is just, balanced, and ecological.